Catalogue of print editions by 20th century grand masters and collaboration exhibits with international artists and Studio 46 artists.

1991
Photolithograph
Hand-signed in marker
Nouvelle ImagesIn 1991, 1,880 workers began to open 3,100 umbrellas in Ibaraki, Japan and Bakersfield, California simultaneously. This temporary work of art symbolized the similarities and differences in the use of land between America and Japan.
Japan, 1991
Photolithograph
Hand-signed in marker
Nouvelle ImagesIn 1991, 1,880 workers began to open 3,100 umbrellas in Ibaraki, Japan and Bakersfield, California simultaneously. This temporary work of art symbolized the similarities and differences in the use of land between America and Japan.


1985
Photo lithograph
Signed in pencil, lower right
Nouvelle Images
81.28 x 68.58 cmIn 1985, 300 professional workers deployed 41,800 square meters of woven fabric to cover the Pont Neuf Bridge in Paris.
1985
Photolithograph
Signen in pencil, lower right
Nouvelle Images
60.96 x 93.98 cmIn 1985, 300 professional workers deployed 41,800 square meters of woven fabric to cover the Pont Neuf Bridge in Paris.


1985
Photolithograph
Signed in pencil, lower right
Nouvelle Images
60.96 x 93.98 cmIn 1985 300 professional workers deployed 41,800 square meters of woven fabric to cover the Pont Neuf Bridge in Paris.
1985
Photolithograph
Hand-signed in marker
Nouvelle Images
68.58 x 78.74 cm


1986
Photolithograph
Signed in pencil, lower right
Nouvelle Images
86.36 x 68.58 cmThe Gates was a site-specific work of art by Christo. The artist installed 7,503 vinyl "gates" along 23 miles (37 km) of pathways in Central Park in New York City. From each gate hung a panel of deep saffron-colored nylon fabric. The exhibit ran from February 12, 2005 through February 27, 2005.
1984
Photolithograph
Signen in pencil, lower right
Nouvelle Images
81.28 x 68.58 cmChristo tried to obtain permission to wrap the Reichstag starting in
1972; his wish was finally granted in 1995.


1986
Photo lithograph
Signed in pencil, lower right
Nouvelle Images
83.82 x 68.58 cmChristo first conceived of a barrel project in 1958. A mastaba is a flat-topped, rectangular structure with outward sloping sides dating back to Mesopotamia. Although Christo created many mastabas throughout his career, he never received permission to build this one.
2005
Etching on hand-made paper
Plate-signed
Edition of 100 + 10 proofs and 10 HC
Stamperia il Feltro, Rome
Etching in posthumous edition authorized by the Picasso Foundation. The work was engraved directly by Pablo Picasso on a thick brass plate in order to be printed and attached to a Spanish newspaper of the time to support the cause of the Spanish war against the dictator Franco. This slab was purchased at an auction in 1959 by Blanca Meza, an acquaintance of the artist who later had the Picasso Foundation authenticate it. The foundation in turn authorized the printing of a print run. The signature that is seen on the work was made with the matrix owned by the same foundation and granted exclusively for the realization of the copies. The work was printed on handmade paper for the occasion and printed in intaglio printing.


1955
Black & white lithograph on Arches
Signed in lower-left plate
Combat Pour la Paix, Paris.The original drawing of this image was donated by Picasso to the Paris Peace Movement in 1955. He authorized them to make a lithographic edition of it for sale to the public. This print is after the original drawing by Picasso.
1958
5-color lithograph on Arches
Hand-signed in pencil in lower right
Yamet Arts, Inc., New York
63 x 51 cmThis image is after a drawing titled Carnival, donated by Picasso to the Paris Peace Movement in 1958. The grandfather of the co-founder of BF4gallery purchased the entire edition of 300 + artist proofs from the organization that same year.


1952
Chalk-drawn lithograph on Arches
Hand-signed in pencil in lower right
Paris Peace Movement
56 x 76 cmThis image was donated by Picasso to the Paris Peace Movement in 1952. Picasso, an avowed leftist, was a supporter of the organization and donated images to them regularly in lieu of money. He authorized them to make limited editions from the drawing and allowed them to keep the proceeds.
1961
Lithograph on Arches
Combat Pour la Paix, Paris
48 x 66 cmPicasso's father, Jose Ruiz y Blasco, was a painter and art teacher who began to teach Picasso to draw and paint when he was a small child. By the time the younger Picasso was 13, his father realized that his son's skill level had surpassed his own when one day, he asked the boy to paint him a picture of a pigeon. The drawing that resulted was so masterful that his father understood his son had immense talent and could go on to become a great artist.


1963
Lithograph on Arches
Hand-signed in pencil, lower-right
Yamet Arts, Inc., New York
89 x 63 cmThis image was printed after an original drawing by Picasso that he donated to the Paris Peace Movement in 1963, and the entire edition of 200 + proofs was acquired by the grandfather of the co-founder of BF4gallery that same year. It is not listed in the catalogue raisonné.
1961
Lithograph
Paris Peace Movement
66 x 51 cmThis image was printed after an original drawing by Picasso, which he donated to the Paris Peace Movement in 1961. It is not listed in the catalogue raisonné.


1961
Lithograph
Combat Pour la Paix, Paris
56 x 76 cmThe original drawing of this image was donated by Picasso to the Paris Peace Movement in 1962. He authorized them to make a lithographic edition of it for sale to the public. He signed and dated the lithographic edition from BF4gallery's collection in the stone in the lower-right hand corner.
1950
Lithograph
Mourlot, Paris
68.5 x 99 cmThis image was donated by Picasso to the Paris Peace Movement in 1950. An avowed leftist, he would regularly donate original works to them in lieu of money and authorize them to make lithographic editions of the images.


1969
Lithograph on poster paper
Hand-signed in pencil in lower right
Editions Cercle d’Art
74 x 51 cmThis image was included in the suite titled Portrait Imaginaires which contained 29 prints, all of which paid homage to Rembrandt, whom Picasso revered. It was one of the last suites ever published by Picasso. It represents the culmination of an inexhaustible mind and is a celebration of Picasso’s various stylistic evolutions over the decades.
1969
Lithograph on poster paper
Editions Cercle d’Art
74 x 51 cmThis image was included in the suite titled Portrait Imaginaires which contained 29 prints, all of which paid homage to Rembrandt, whom Picasso revered. It was one of the last suites ever published by Picasso. It represents the culmination of an inexhaustible mind and is a celebration of Picasso’s various stylistic evolutions over the decades.


1971
Lithograph on poster paper and laid on canvas
Galerie Knoedler, ParisThis beautiful lithographic poster was created for a Picasso exhibition at the Galerie Knoedler in Paris in 1971.
1968
Lithograph
Hand-signed in pencil, lower-right
Yamet Arts, Inc., New York
66 x 51 cmThis image was printed after a drawing by Picasso donated to the Paris Peace Movement in 1968. The group used the image on the front page of their publication, Le Patriote, in the February 24-March 1 issue.


1962
Lithograph on poster paper
Paris Travel BureauA child of the Mediterranean, Picasso chose the Côte d’Azur in the French Riviera to live out his last and most fertile years. This image is Picasso’s interpretation of the beauty of Provence, whose rolling hills and fields of lavender echoed those of his homeland.
1962
Lithograph on poster paper
World Congress for PeaceThis rare and beautiful lithographic poster was printed in different languages to reflect the international aspect of the peace conference it was made for.


1969
Lithograph on poster paper
Galerie Maeght, ParisThis poster was created for a one-man show at the Maeght Gallery in Paris in 1969.
1959
Lithograph on poster paper
Musée des Arts Décoratifs
76 x 51 cmThis poster was created for a retrospective exhibition of the artist at the Museum of Decorative Arts, Palace of the Louvre, Paris.


1962
Lithographic poster
Galerie Maeght, Paris
71 x 53 cmThis original vintage poster was created for a one-man Chagall exhibition at Galerie Maeght in Paris.
1963
Lithograph on poster paper
Painters as Witnesses of their Time, Paris
76 x 51 cmThis poster was created in 1963 after Chagall’s 1937 image titled The Revolution.


1967
Lithograph on poster paper
Editions of the Metropolitan Opera, New YorkThis poster was created for a retrospective exhibition of the artist at the Museum of Decorative Arts, Palace of the Louvre, Paris. Featuring stunning color saturation and rich texture, this poster was designed by Chagall for the Metropolitan Opera House in New York City. The performance, The Magic Flute, is a two-act opera by Mozart to German libretto by Emanuel Schikaneder.
1981
Etching & aquatint on Guarro paper
Hand-signed in pencil in lower right
Sala Gaspar, Barcelona
89 x 69 cm


1954
Lithographic collage on Arches paper
47x58,5 cm
Galerie Maeght, ParisThis lithographic edition is after the oil on canvas by the same name, which hangs in the Reina Sofía Museum in Madrid, Spain.
1970
Lithograph on Guarro paper
Hand-signed in pencil in lower right
Sala Gaspar, Barcelona
76 x 56 cm


1971
Lithograph on Arches paper
Signed in pencil in lower-right
Walker Art Center, Minneapolis
84 x 74 cmThis image was printed with lettering as a poster for the Cleveland and Chicago Museums in 1971.
1979
Serigraph
112 x 66 cm


1974
Color Drypoint Etching on Arches paper
51.6 x 67.7 cm
Circa 1955
Lithograph
Hand signed and numbered
Triade, Paris
68.58 x 53.34 cm

In collaboration with international artists and Studio 46 artists.

2024
Oil on Canvas
66 x 66 cm
2024
Mixed media on paper
30 x 70 cm


2023
Etching (collage) on various copper and acrylic plates.
90 x 80 cmThe artwork combines the majesty of the Cotopaxi volcano and the relationship that the Indigenous peoples of Ecuador have with it. It is a way of expressing the beauty and significance of this connection and honoring Ecuadorian culture. The painting reflects the interconnection between nature and Indigenous culture in Ecuador.
2023
Mixed Media, Acrylic on Paper
34 x 43,2 cmThrough brushstrokes and shapes, the eternal dance between life and death, light and darkness, creation and destruction is explored.


2023
Signed
Engraving and acrylic on paper
53 x 39 cm
2024
Impasto, engraving, and acrylic on wood
55 × 55 cm


2023
Engraving, acrylic and oil pastels on paper
31,5 x 25 cm
2024
Mixed Media
50 x 30 cm
BF4gallery, Barcelona


2023
Signed
Engraving and acrylic on paper
32 x 23 cm
2023
Signed
Engraving and acrylic on paper
44 × 35 cm


2024
Oil and acrylic, on engraved background create by different pieces of metal and methacrylate
88.5 x 74 cmThalassa, the sea goddess in Greek mythology, the personification of the sea in its primordial state. She represents the life force and fecundity of the ocean, being considered the mother of all sea creatures. Thalassa embodies the power and immensity of the Mediterranean Sea, symbolising both its capacity to give life and its untamed and mysterious nature.
2024
Oil and acrylic, on engraved background create by different pieces of metal and methacrylate.
200 x 102 cm"Amazonia" emerges from the artist's experiences during a month-long retreat in nature, specifically in the Ecuadorian Amazon. One of Plexxo's inspirations is to depict the time when humans lived in harmony with nature and to explore the loss of our connection with the animal world. Amazonia is life.


2023
Signed
Engraving, acrylic, oil pastels and charcoal on paper
34 × 22 cm
2024
Oil on canvas
146 x 97 cm


Oil on wood (palette knife and brush)
Painted laterals/satin varnish finish
100cm x 100cm x 3.5cmWork inspired by "la vida mediterránea" and the serene cove of Port Lligat that lies adjacent to Cadaqués (on the Cap de Creus peninsula), Costa Brava, España and the famous Surrealist painter that lived there. The bay is so named as there are two entries created by two small islands forming a geographical knot (ligature). Signed and dated by the artist (reverse)
2020
Bronze sculpture
14 x 13 x 16 cm
3.5 kgA mature man encircled. He supports a fantasy animal inflatable which, in turn, we suspect is to support him as he takes to some imminent watery surroundings. Here the rubber ring is a symbol of support, of childhood need, of learning, adventure, fantasy and fun. We all need support at various stages of our lives…don’t we? As we progress in one way we regress in another.


Oil on canvas
150cm x 150cm x 3.2cmLilith has long been depicted in various cultures as seductress, heroine and murderer, (Her ancient name a derivative of the Sumerian word for female demons— the lilītu) appearing, for example in Michelangelo’s Lilith tempting Adam and Eve “The Fall of Man and the Expulsion From Paradise” – Sistine Chapel Vatican.In this work she also possesses the deadly charms of the femme fatale. She looks directly towards the viewer—wide eyed, yet her dilated gaze is glazed. Her left eye, in shadow, scans the far seas. She stares into the vast, blue beyond while knowing she is the focus of lustful intent.
2024
Signed with artist’s signature and pictogram (reverse)
Oil on fine Belgian canvas 170. Braced wooden frame
Painted laterals
100 x 100 x 3.5 cm


2024
Oil on canvas
100 x 100 cm
BF4gallery, BarcelonaThe vibrant colours and sweetness of the cherries in the painting embody a flirtatious and youthful spirit, capturing life's simple pleasures. It's as if the cherries charmingly tease us, gazing into our eyes and playfully asking, "Do you like to have fun?"
2024
Oil and crayon on canvas
159,5 x 201 cm
BF4gallery, BarcelonaThis painting bursts with vibrant, lush greens and energetic brushstrokes, evoking the feeling of an abstract jungle. The swirling mix of yellows, blues, and varying shades of green creates a sense of depth and movement, as if the viewer is immersed in dense, thriving vegetation. The standout red ovals, which inspired the title, add a bold, contrasting pop of color, resembling nails or berries scattered throughout the composition.The overall energy of the painting feels wild and alive, capturing the chaotic beauty of a jungle in a dreamlike state.


2024
Oil on canvas
100 x 90 cm
BF4gallery, Barcelona“Somewhere in Albania" captures the allure and excitement of travel and a longing for distant, unexplored destinations. The painting reflects the anticipation of a journey where the mind drifts to far-off places, imagining the adventures and discoveries that await.
2022
Oil and crayon on linen
140 x 200 cm
BF4gallery, BarcelonaThe painting is titled "Frühlingsgefühle" which is a German term that translates to "spring feelings" or "spring fever". It refers to the emotional and physical sensations associated with the arrival of spring, such as increased energy, happiness, and romantic feelings. The term (and painting) reflect how people tend to feel more alive, joyful, and even amorous as the weather warms up and nature blossoms after the cold winter months.


2022
Oil on linen
147, x 114 cm
BF4gallery, Barcelona
2024
Ceramic Plate
30 cm
BF4gallery, Barcelona


2024
Ceramic Vase
23,5 x 19 cm
BF4gallery, Barcelona

2024
Ceramic Vase
20,5 x 16,5 cm
BF4gallery, Barcelona
2024
Ceramic Vase
20 x 16 cm
BF4gallery, Barcelona


2024
Ceramic Plate
28,5 cm
BF4gallery, Barcelona

2024
Ceramic Vase
28 x 15 cm
BF4gallery, Barcelona
2024
Ceramic Vase
28 x 15 cm
BF4gallery, Barcelona
